Language has infested the world. It is a virus that has spread everywhere and infiltrated us. Overtongue by the Berlin-based Brazilian choreographer Michelle Moura deals with disembodied voice and the confusion of meaning as a response to the informational chaos and the polarization of our times. The choreographer uses ventriloquism as a tool to engage with an unusual sensoriality of the voice. She composes body landscapes marked by the mechanic and the grotesque, using delirious, slippery language, physical and vocal dissociations, and transformations. In the performance, the chimerical body is a network, possessed by voices and speaking tongues. It is in the process of becoming something else: Maybe alive, maybe dead.